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  1. E0300 神奈川大学 人文学会
  2. 03 紀要論文
  3. 01 人文研究
  4. 21100 211集

『二刻五種伝奇』における評語について -『初刻五種伝奇』『三刻五種伝奇』との比較を兼ねて-

https://doi.org/10.24792/0002000544
https://doi.org/10.24792/0002000544
b9a775c0-8597-4602-a361-a4bf9f597d46
名前 / ファイル ライセンス アクション
01 01 『二刻五種伝奇』における評語について -『初刻五種伝奇』『三刻五種伝奇』との比較を兼ねて-.pdf (1.6 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2024-04-12
タイトル
タイトル 『二刻五種伝奇』における評語について -『初刻五種伝奇』『三刻五種伝奇』との比較を兼ねて-
言語 ja
タイトル
タイトル A review and inquiry into the comments on the Erke Wuzhong Chuanqi 二刻五種伝奇 (Five traditional dramas : second series), along with comparisons of Chuke Wuzhong Chuanqi 初刻五種伝奇(Five traditional dramas : first series) and Sanke Wuzhong Chuanqi 三刻五種伝奇 (Five traditional dramas : third series)
言語 en
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
ID登録
ID登録 10.24792/0002000544
ID登録タイプ JaLC
著者 樊, 可人

× 樊, 可人

WEKO 35788
ローカル著者ID 35788

ja 樊, 可人

ja-Kana ハン, カジン

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抄録
内容記述タイプ Abstract
内容記述 After reviewing the characteristics of the frequently used comments “Hao 好 (good),” “Miao 妙 (wonderful),” and “Hua 画 (vivid)” as well as their correlations with other comments on the Chuke Wuzhong Chuanqi 初刻五種伝奇 (Five traditional dramas : first series) and Sanke Wuzhong Chuanqi 三刻五種伝奇 (Five traditional dramas : third series), this paper presents an analysis of the frequently used comments in a sequel, which is considered to have been published as Erke Wuzhong Chuanqi 二刻五種伝奇 (Five traditional dramas : second series) between Chuke Wuzhong Chuanqi and Sanke Wuzhong Chuanqi.
 If we take Chuke Wuzhong Chuanqi, Erke Wuzhong Chuanqi, and Sanke Wuzhong Chuanqi as a whole, we can see that the comment Hua has shifted from the disunity of Chuke Wuzhong Chuanqi to the unity of Sanke Wuzhong Chuanqi. However, even if this change in Hua can be observed, it is still difficult to accurately distinguish the usage criteria of ao, Miao and Hua. Based on the annotations related to proofreading in Jingchaijii 荊釵記(The Thorn Hairpin) and the records left by Li Zhuowu 李卓吾 and his acquaintances, the author suspects that there are multiple versions of these dramas titled “Li Zhuowu Critique 李卓吾批評,” and due to the possible piracy of multiple versions, some general review of the end of some scenes are missing. This also directly leads to peopleʼs inability to clarify the perspectives from which comments on the highlights of criticism such as Hao and Miao are based.
 In addition, it could be inferred from the records stated above that there should be changes to the original text of the dramas that Li Zhuowu personally criticized, and the comments should be more logical.
言語 en
書誌情報 ja : 人文研究
en : Studies in humanities

巻 211, p. 1-22, 発行日 2024-03-26
ISSN
収録物識別子タイプ PISSN
収録物識別子 0287-7074
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN00123041
著者版フラグ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
出版者
出版者 神奈川大学人文学会
言語 ja
出版者
出版者 The Society of Humanities at Kanagawa University
言語 en
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