ログイン
言語:

WEKO3

  • トップ
  • ランキング
To
lat lon distance
To

Field does not validate



インデックスリンク

インデックスツリー

メールアドレスを入力してください。

WEKO

One fine body…

WEKO

One fine body…

アイテム

  1. C0901 日本常民文化研究所 非文字資料研究センター
  2. 03 紀要論文
  3. 02 年報「非文字資料研究」
  4. 0110 第11号

近畿地方(中央部~北部)にみる地蔵の彩色習俗 -彩色(化粧)地蔵像分布と伝承の考察-

http://hdl.handle.net/10487/14178
http://hdl.handle.net/10487/14178
cbfa2dd6-ca1b-40a7-b060-97cd0b42ea3b
名前 / ファイル ライセンス アクション
11-19 11-19 本文.pdf (3.3 MB)
11-19 11-19 要旨.pdf (2.1 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2019-04-24
タイトル
タイトル 近畿地方(中央部~北部)にみる地蔵の彩色習俗 -彩色(化粧)地蔵像分布と伝承の考察-
タイトル
タイトル The Custom of Painting Jizo Statues in the Central and Northern Kinki Regions -Studies on the Dissemination of Painted Jizo-
言語 en
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
著者 近石, 哲

× 近石, 哲

WEKO 25882

近石, 哲

Search repository
Chikaishi, Satoshi

× Chikaishi, Satoshi

WEKO 25883

Chikaishi, Satoshi

Search repository
抄録
内容記述タイプ Abstract
内容記述 Jizo (Ksitigarbha) worship is one of the most popular folk beliefs still alive in regions of Japan. In many local areas, however, such traditional folk cultures have become diluted with the countryʼs postwar economic growth, urbanization, and rationalization. Furthermore, folk beliefs are now undergoing an irreversible decline due to Japanʼs falling birthrate, aging population, and growing number of non-religious people. Despite these circumstances, local communities in the Kinki region, including Kyoto, still keep their folk beliefs alive by holding Jizo-bon festivals at the end of the bon season in August, when the spirits of the dead are said to return home to their families. A unique custom in preparing for this event is painting of stone Buddha statues. The distribution of this practice follows unique patterns in Japan, suggesting that each region has its own manners and customs. Many mysteries concerning jizo painting remain. There is extremely little research on the custom because few documents are found to explain its origin and the process of handing it down, making it difficult to clarify the whole picture. In addition, since jizo painting was passed down by oral tradition in each region, local communities likely did not recognize the custom as part of their culture and had little interest in writing it down. With folk beliefs further declining in local areas, this study examines the unexplored custom of painting jizo statues based on field surveys conducted in the central and northern Kinki regions.
内容記述
内容記述タイプ Other
内容記述 論文
書誌情報 年報 非文字資料研究

号 11, p. 311-336, 発行日 2015-03-20
ISSN
収録物識別子タイプ ISSN
収録物識別子 1883-9169
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AA12407237
著者版フラグ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
その他の言語のタイトル
その他のタイトル The Custom of Painting Jizo Statues in the Central and Northern Kinki Regions -Studies on the Dissemination of Painted Jizo-
出版者
出版者 神奈川大学日本常民文化研究所 非文字資料研究センター
資源タイプ
内容記述タイプ Other
内容記述 Departmental Bulletin Paper
戻る
0
views
See details
Views

Versions

Ver.1 2023-05-15 14:15:50.848309
Show All versions

Share

Mendeley Twitter Facebook Print Addthis

Cite as

エクスポート

OAI-PMH
  • OAI-PMH JPCOAR 2.0
  • OAI-PMH JPCOAR 1.0
  • OAI-PMH DublinCore
  • OAI-PMH DDI
Other Formats
  • JSON
  • BIBTEX

Confirm


Powered by WEKO3


Powered by WEKO3