WEKO3
アイテム
ヴェネチア建築と文人たち
http://hdl.handle.net/10487/3363
http://hdl.handle.net/10487/3363b6bbbc7b-3461-4b04-b57e-78d2d83915a3
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
kana-9-2-0001.pdf (4.9 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2009-03-13 | |||||
| タイトル | ||||||
| タイトル | ヴェネチア建築と文人たち | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Venice | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | architecture | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | men of letters | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
鳥越, 輝昭
× 鳥越, 輝昭× Torigoe, Teruaki |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Venice, a tiny island city in a lagoon, has a history of over a thousand years. It could not modernize itself during the nineteenth century when other European cities rapidly changed their faces, and it has consciously preserved its old features during the twentieth century. As a result, this small city is full of old buildings of different ages and styles. They stand side by side, only interspersed by a small number of modern buildings. It is remarkable that in this city, not only old churches and palaces, which any city would preserve as its cultural heritage, but also houses of common people are often several centuries old. The city as a whole, therefore, is a sort of museum of old building styles. The city has also been a sort of laboratory in which writers of different ages and places have shown responses towards its buildings in various styles. This essay attempts a rough sketch of the general trends of the attitudes of European writers towards Venetian architecture from the turn of the seventeenth century to the twentieth century. At the turn of the seventeenth century, the writers who visited this city liked both the buildings erected in the Middle Ages and those erected after the Renaissance. In the second half of the seventeenth century, there was a trend towards disapproval of the medieval architecture of Venice. In the next century, along with the general dislike in Europe of what was medieval, the dislike of medieval Venetian architecture was dominant among the writers who saw the city, while its architecture of later ages was appreciated. Thus, although St. Mark's Square with its surrounding buildings was an object of admiration at the turn of the seventeenth century, the important components of the square, St. Mark's Church and Ducal Palace, began to be disliked possibly from the second half of the century and remained objects of displeasure well into the nineteenth century, before the square with all its buildings became once again an object of general admiration. While the dislike of medieval Venetian architecture continued well into the 1800's, some writers began approving of the architecture from the beginning of this century, and this latter tendency, which may be regarded as part of the Gothic Revival, grew stronger towards the middle of the century. Ruskin was affected by this trend and strengthened it as well. His likes and dislikes of Venetian architecture seem to have had a strong influence among English-speaking writers in the latter half of the nineteenth century. It is notable that while medieval Venetian architecture became appreciated, the architecture of later ages became disliked, particularly churches built in Baroque and Rococo styles. They only began to be viewed without disdain at the turn of the twentieth century. | |||||
| 書誌情報 |
人文学研究所報 巻 34, p. 1-16, 発行日 2001-03-31 |
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| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN00122854 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| その他の言語のタイトル | ||||||
| その他のタイトル | Venetian Architecture and Men of Letters | |||||
| その他の言語のタイトル | ||||||
| その他のタイトル | ヴェネツィア建築と文人たち | |||||
| 出版者 | ||||||
| 出版者 | 神奈川大学 | |||||
| 資源タイプ | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Article | |||||
