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女神ヴィーナスの愛した青年たち −ヒッポリュトス、アドニス、タンホイザー−
http://hdl.handle.net/10487/00017084
http://hdl.handle.net/10487/000170841e1223c0-a444-4675-8504-c07cd64bdfa4
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
14 女神ヴィーナスの愛した青年たち −ヒッポリュトス、アドニス、タンホイザー− (2.5 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2021-07-20 | |||||
| タイトル | ||||||
| タイトル | 女神ヴィーナスの愛した青年たち −ヒッポリュトス、アドニス、タンホイザー− | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | Youths Loved by Venus ： Hippolytus, Adonis, and Tannhauser | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
鳥越, 輝昭
× 鳥越, 輝昭 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 34735 | |||||
| 識別子Scheme | ローカル著者ID | |||||
| 識別子 | 34735 | |||||
| 姓名 | Torigoe, Teruaki J. I. | |||||
| 言語 | en | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In this essay on the representations of Goddess Venus, I discuss the following points : （1）There is a gap between Euripides’ Hippolytus and later dramatic works dealing with Phaedra, a woman who loves her son-in-law, written by Seneca, Racine, D?Annunzio, and others, although these have been regarded as a series of variations of the Euripides’ masterpiece. My point is that in these later works the goddess either completely or almost completely disappears from the stage, whereas the Euripides’ drama is about revenge devised by the goddess, an important protagonist, on a youth who despises her. （2）It is possible to postulate a different series of variations of the Euripides’ work―Shakespeare?s Venus and Adonis, Marino?s Adone, and the Tannhauser stories―if we pay attention to the fact that all these works pivot on the love relationship between the goddess and mortal youths. （3）Marino?s Adone, while written within the Christian background, presents a view different from a common medieval one that regarded Venus as a witch. This change is a result of following Ovid?s original story, which narrated the love between Venus and Adonis as a mutual one. （4）Adonis’ rejection of seduction by Venus narrated in Shakespeare?s Venus and Adonis is in opposition to Ovid and Marino and in line with the medieval view, while Adonis’ contempt of the goddess is similar to the youth?s attitude found in Euripides’ Hippolytus and Seneca?s Phaedra. （5）The stance adopted in the Tannhauser stories culminating in Wagner?s opera is quite medieval in regarding the love relationship with Venus as a sin and the goddess as a witch. （6）Titian, Carracci, and Rubens depict the relationship between Venus and Adonis as a mutual love and do not show in it a sense of sin or twisted emotions. （7）In his many nude Venuses, Cranach the Father, a close ally of Luther, avoids depicting the explicit or implicit sexual relations between Venus and men or male gods, limiting himself to the themes of the mother-and-child relationship between Venus and Cupid, and of the judgment of Paris, which could be morally interpreted. | |||||
| 言語 | en | |||||
| 書誌情報 |
ja : 人文研究 en : Studies in humanities 巻 200, p. 33-61, 発行日 2020-03-25 |
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| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 0287-7074 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN00123041 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 神奈川大学人文学会 | |||||
| 言語 | ja | |||||
| 出版者 | ||||||
| 出版者 | The Society of Humanities at Kanagawa University | |||||
| 言語 | en | |||||
