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『旅情』と『カッコーの季節』 －異文化交流の不可能な場としてのヴェネツィア
http://hdl.handle.net/10487/00016555
http://hdl.handle.net/10487/0001655567763302-e003-4b41-9a7f-c21ef0b44afc
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
03 『旅情』と『カッコーの季節』 －異文化交流の不可能な場としてのヴェネツィア (787.8 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2020-10-13 | |||||
| タイトル | ||||||
| タイトル | 『旅情』と『カッコーの季節』 －異文化交流の不可能な場としてのヴェネツィア | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | Summertime and The Time of the Cuckoo ： Venice with Insurmountable Differences | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Venice | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | The Time of the Cuckoo | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Summertime | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | representation | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | cultural conflict | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
鳥越, 輝昭
× 鳥越, 輝昭 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 34929 | |||||
| 姓名 | Torigoe, J. I. Teruaki | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | I have compared The Time of the Cuckoo: A Comedy（1951）, a Broadway play by Arthur Laurents, and its motion picture version, Summertime（1953）directed by David Lean, paying special attention to their relations with Venice, an Italian city in which their stories unfold. The Time of the Cuckoo is a work which makes its American audience reflect on their values by presenting conflicting attitudes between Americans who lay stress on the importance of morality, money and tangible things and Venetians who lay stress on that of love, desire and humans. Summertime, omitting this conflict from the original work, focuses on another problem: which is more important in life, morality or love and desire? This concentration transformed The Time of the Cuckoo, a problem play named a “comedy,” into a popular film about romance. In considering these two works, we should keep in mind that Venice, where their stories unravel, has a long history in the Englishspeaking world of being represented as the capital of degeneration. The Venetians have been regarded in the tradition as the embodiment of vices. Looked in regard to this history of representation, The Time of the Cuckoo and Summertime show the following characteristics. In the Laurents’ play, a newly-married American painter who has an affair with the landlady of a Venetian pensione repents afterwards, and an American female protagonist, who is attracted by a Venetian man, suspects mercenary motives behind his advances. They are both characterized as inheritors of Puritanical values: the young painter exhibits moralism, while the middle-aged single woman exhibits both moralism and materialism. Venice for them is a radically different world, strange and sinful in the way of thinking and living. As the American woman says, “I didn’t realize I came from such a different world,” a line which is ideally effective in this city of sin. Thrown into this city, whose corruption she abhors, the American heroine in Summertime not only faces the problem of entering and maintaining an illicit relationship with a married man, but also faces the danger of becoming a member of a detestable society. We may also see that David Lean was in a more advantageous position than Arthur Laurents in shooting the film in Venice, for he could effectively emphasize the inversion of values at the beginning by showing the visual inversion of land and water in the image of buses running on the canals. The surprise of the heroine at the sight soon leads to her bewilderment on a deeper level. | |||||
| 言語 | en | |||||
| 書誌情報 |
ja : 人文研究 en : Studies in humanities 号 173, p. 47-78, 発行日 2011-03-31 |
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| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 0287-7074 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN00123041 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 神奈川大学人文学会 | |||||
| 言語 | ja | |||||
| 出版者 | ||||||
| 出版者 | The Society of Humanities at Kanagawa University | |||||
| 言語 | en | |||||
