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  1. E0300 神奈川大学 人文学会
  2. 03 紀要論文
  3. 01 人文研究
  4. 17200 172集

魔界としてのヴェネツィア -『夏の嵐』と『ヴェニスに死す』再読

http://hdl.handle.net/10487/15388
http://hdl.handle.net/10487/15388
38e2b17a-1670-498c-a859-b74932b9b71f
名前 / ファイル ライセンス アクション
02 02 魔界としてのヴェネツィア -『夏の嵐』と『ヴェニスに死す』再読 (906.9 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2020-11-27
タイトル
タイトル 魔界としてのヴェネツィア -『夏の嵐』と『ヴェニスに死す』再読
言語 ja
タイトル
タイトル Venice as a Domain of Devils and Witches : A Reading of Senso and Death in Venice
言語 en
言語
言語 jpn
キーワード
言語 en
主題Scheme Other
主題 Venice
キーワード
言語 en
主題Scheme Other
主題 representation
キーワード
言語 en
主題Scheme Other
主題 Senso
キーワード
言語 en
主題Scheme Other
主題 Death in Venice
キーワード
言語 en
主題Scheme Other
主題 devils
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
著者 鳥越, 輝昭

× 鳥越, 輝昭

WEKO 34735
ローカル著者ID 34735

ja 鳥越, 輝昭

ja-Kana トリゴエ, テルアキ

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著者別名
識別子Scheme WEKO
識別子 34735
識別子Scheme ローカル著者ID
識別子 34735
姓名 Torigoe, J.I. Teruaki
言語 en
抄録
内容記述タイプ Abstract
内容記述 I have taken up Camillo Boito’s novella, Senso(1883), and its motion picuture version, Senso,(1953)by Luchino Visconti, and also taken up Thomas Mann’s novella, Der Tod in Venedig(1912), and its motion picture version, Death in Venice(1971), by the same Italian director. My purpose has been to show that there is an interesting representation of Venice common to these works: Venice as a domain of devils and witches. In the Boito’s novella, Senso, the narrator, a countess, is presented as a femme fatale, that is, a kind of witch who goes on tempting and ruining a man she chooses as her victim. After comprehending this essential quality of the heroine, we can see that the countess in the Visconti film, though not so obvious as in the novella, is also depicted as a femme fatale, who tempts and ruins a young and handsome Austrian lieutenant.  An interesting fact about Senso the novella, in which an important portion of the story takes place in Venice, is that this city of the Adriatic brings out the full potential of the countess as a Temptress by working on her senses. This magical city itself helps her to develop into a full-fledged enchantress.  Both Mann’s novella, Der Tod in Venedig, and Death in Venice, a Visconti film, can be regarded as a story which describes a protagonist who is drawn into Venice and ruined there by devils, finally dying in Venice the hell. The tempters appear at important stages in the narrative: in a cemetery in Munich(only in the novella), on a dilapidated vessel which carries the hero to Venice, and on a gondola which carries him to Lido, where he is destined to die. The greatest Tempter, however, is the beautiful boy who enchants him and draws him into hell.  The Venice represented in the novella and its film version is a place where devils give full play to their power. Moreover, the city’s backstreets, where cholera is rampant, look very much like a hell, and the city attracts and responds to the corrupted spirit of the protagonist with its own corruption. In a word, Venice itself is a place working with an evil spirit.
言語 en
書誌情報 ja : 人文研究
en : Studies in humanities

号 172, p. 37-69, 発行日 2010-12-25
ISSN
収録物識別子タイプ PISSN
収録物識別子 0287-7074
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN00123041
著者版フラグ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
出版者
出版者 神奈川大学人文学会
言語 ja
出版者
出版者 The Society of Humanities at Kanagawa University
言語 en
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