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魔界としてのヴェネツィア －『夏の嵐』と『ヴェニスに死す』再読
http://hdl.handle.net/10487/15388
http://hdl.handle.net/10487/1538838e2b17a-1670-498c-a859-b74932b9b71f
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
02 魔界としてのヴェネツィア －『夏の嵐』と『ヴェニスに死す』再読 (906.9 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2020-11-27 | |||||
| タイトル | ||||||
| タイトル | 魔界としてのヴェネツィア －『夏の嵐』と『ヴェニスに死す』再読 | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | Venice as a Domain of Devils and Witches ： A Reading of Senso and Death in Venice | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Venice | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | representation | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Senso | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Death in Venice | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | devils | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
鳥越, 輝昭
× 鳥越, 輝昭 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 34735 | |||||
| 識別子Scheme | ローカル著者ID | |||||
| 識別子 | 34735 | |||||
| 姓名 | Torigoe, J.I. Teruaki | |||||
| 言語 | en | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | I have taken up Camillo Boito’s novella, Senso（1883）, and its motion picuture version, Senso,（1953）by Luchino Visconti, and also taken up Thomas Mann’s novella, Der Tod in Venedig（1912）, and its motion picture version, Death in Venice（1971）, by the same Italian director. My purpose has been to show that there is an interesting representation of Venice common to these works: Venice as a domain of devils and witches. In the Boito’s novella, Senso, the narrator, a countess, is presented as a femme fatale, that is, a kind of witch who goes on tempting and ruining a man she chooses as her victim. After comprehending this essential quality of the heroine, we can see that the countess in the Visconti film, though not so obvious as in the novella, is also depicted as a femme fatale, who tempts and ruins a young and handsome Austrian lieutenant. An interesting fact about Senso the novella, in which an important portion of the story takes place in Venice, is that this city of the Adriatic brings out the full potential of the countess as a Temptress by working on her senses. This magical city itself helps her to develop into a full-fledged enchantress. Both Mann’s novella, Der Tod in Venedig, and Death in Venice, a Visconti film, can be regarded as a story which describes a protagonist who is drawn into Venice and ruined there by devils, finally dying in Venice the hell. The tempters appear at important stages in the narrative: in a cemetery in Munich（only in the novella）, on a dilapidated vessel which carries the hero to Venice, and on a gondola which carries him to Lido, where he is destined to die. The greatest Tempter, however, is the beautiful boy who enchants him and draws him into hell. The Venice represented in the novella and its film version is a place where devils give full play to their power. Moreover, the city’s backstreets, where cholera is rampant, look very much like a hell, and the city attracts and responds to the corrupted spirit of the protagonist with its own corruption. In a word, Venice itself is a place working with an evil spirit. | |||||
| 言語 | en | |||||
| 書誌情報 |
ja : 人文研究 en : Studies in humanities 号 172, p. 37-69, 発行日 2010-12-25 |
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| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 0287-7074 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN00123041 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 神奈川大学人文学会 | |||||
| 言語 | ja | |||||
| 出版者 | ||||||
| 出版者 | The Society of Humanities at Kanagawa University | |||||
| 言語 | en | |||||
