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  1. C0901 日本常民文化研究所 非文字資料研究センター
  2. 03 紀要論文
  3. 02 年報「非文字資料研究」
  4. 0100 第10号

Foreign Ceramists in Japan

http://hdl.handle.net/10487/13037
http://hdl.handle.net/10487/13037
2dc1bf24-7a1c-4f37-a7de-e93362ef4955
名前 / ファイル ライセンス アクション
25 25 本文.pdf (13.3 MB)
25 25 要旨.pdf (1.9 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2019-04-19
タイトル
タイトル Foreign Ceramists in Japan
タイトル
タイトル Foreign Ceramists in Japan
言語 en
言語
言語 eng
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
著者 Liliana, Granja Pereira de Morais

× Liliana, Granja Pereira de Morais

WEKO 25767

Liliana, Granja Pereira de Morais

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内容記述タイプ Abstract
内容記述 This paper is the result of a preliminary research for a future PhD about non-Japanese ceramic artists who work with Japanese ceramic techniques in Brazil, Portugal and Japan. The main goal is to understand the aspects involved in the internationalization of Japanese traditional culture through ceramics and aesthetics and the way they are represented in the ceramistsʼ discourse. The article presents the preliminary results of the research conducted between January 20th and February 10th during a visit to the Research Center for Nonwritten Cultural Materials in Kanagawa University, Japan. The goal of this research was first to locate and then to interview foreigners who were studying or working with ceramics in Japan, in order to understand how Japanese traditional culture was represented through ceramics in their discourse. A total of nineteen ceramic artists and two students living in Japan were identified and nine of them were interviewed. The majority of the interviews took place in Mashiko (Tochigi prefecture) and Kasama (Ibaraki prefecture), countryside areas fairly close to Tokyo where the ceramists live and work. Two other interviews were conducted in Tokyo and in Minakami(Gunma prefecture). In the interviews with the ceramists the intention was to focus on their life-story in order to comprehend their motivations to leave their homeland and practice ceramics in Japan. The goal was to recognize how Japanese styles, techniques and aesthetics influenced their ceramic work. In order to achieve that, qualitative interviews following the ethno-sociological method of life-story(Daniel Bertaux, 1997) were made. As well as presenting the life-story of the interviewed ceramic artists and their representations of Japanese traditional ceramics, the motives for their concentration in Mashiko and Kasama area were also addresses. Thus, in the article, the establishment of National Living Treasure Hamada Shojiʼs studio in Mashiko in 1930 and his relationship with British potter Bernard Leach, who greatly contributed to the internationalization of Japanese ceramics, is approached. The aim is to show how the aesthetical and conceptual traits that usually define Japanese traditional ceramics, and which are reflected in the discourse of these foreign ceramists living in Japan, are not the result of a Japanese innate and fixed character, like it is supported by the nihonjinron(theories of Japanese uniqueness), but a result of two main historical and cultural dialectic processes : the romantic orientalist discourse of the nineteenth century and the construction of Japanese national identity after the Meiji period, which includes the formation of mingei(folk crafts) theory by Yanagi Soetsu in 1929 and its appropriation in the West though Bernard Leachʼs tradition. For that, we will use as main theoretical background the concept of culture as a construct following recent cultural theorist such as Stuart Hall(1992) and his theory of cultural representation(1997).
内容記述
内容記述タイプ Other
内容記述 論文
書誌情報 年報 非文字資料研究

号 10, p. 283-307, 発行日 2014-03-20
ISSN
収録物識別子タイプ ISSN
収録物識別子 1883-9169
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AA12407237
著者版フラグ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
出版者
出版者 神奈川大学日本常民文化研究所 非文字資料研究センター
資源タイプ
内容記述タイプ Other
内容記述 Departmental Bulletin Paper
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