@article{oai:kanagawa-u.repo.nii.ac.jp:00008220,
 author = {한남수 and Han, Namsu},
 issue = {10},
 journal = {年報　非文字資料研究},
 month = {Mar},
 note = {This study is to review the change process of Cheonan Festival that is recognized as Koreaʼs only dance festival and analyze the trend of ʻDanceʼ reinforcing the local identity as the icon of the festival. Chuan Festival was started in 1987 as ʻCheonan Samgeoru（3 Way） Culture Festivalʼ and developed to become ʻCheonan Heungtaryeong（Korean Traditional Cheerful Song） Dance Festivalʼ having the dance as its agenda in 2003. After the name changed to ʻCheonan Heungtaryeong Dance Festivalʼ in 2011, globally superb folk dance and performance organizations have been invited to the festival. While accepting professional performance organizations composed of Korean folk dance groups and professional dancers, the festival has been confirmed its position as the only dance festival. Cheonan Festival pursuits the popularity, the creativity as well as the art with performances of citizens, students and professional dancers under the differentiated agenda, `Danceʼ. The street parade is welcomed as a place of participation where performers and audiences together communicate with excitements and dances. Through various additional events, myeons, eups and other various ignored areas could have been extending the opportunity of communication and foreign workersʼ participations in the festival are increased with the grand stage for multicultural families. Especially, Cheonan established the Federation of International Dance Festivals and promotes the internalization of Cheonan Festival by vitalizing festivals and increasing exchanges and cooperation with the Europe, the U.S. and Asian countries.　For the local economy, Cheonan Festival encourages active participations of the local citizens and local universities and proposes new paradigm of festival that connects the local and the world regardless countlessly many number of commercialized festivals. As the festival of long history of 26 years, the study to consider the change and meaning of Cheonan Festival is anticipated to be data to establish the local festivalʼs cultural identity and to explore for the festivalʼs continuous development., Departmental Bulletin Paper, 論文},
 pages = {263--282},
 title = {천안축제의 변화와 위상 －興打令・춤祝祭를 중심으로－},
 year = {2014}
}