{"created":"2023-05-15T11:42:37.076910+00:00","id":2064,"links":{},"metadata":{"_buckets":{"deposit":"0fcb8362-3c9f-43f0-ba25-f514bab9bab6"},"_deposit":{"created_by":1,"id":"2064","owners":[1],"pid":{"revision_id":0,"type":"depid","value":"2064"},"status":"published"},"_oai":{"id":"oai:kanagawa-u.repo.nii.ac.jp:00002064","sets":["74:79:108:154"]},"author_link":["3928","3929"],"item_3_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2014-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"158","bibliographicPageStart":"147","bibliographicVolumeNumber":"47","bibliographic_titles":[{"bibliographic_title":"国際経営論集"}]}]},"item_3_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"アーネスト・へミングウェイの初期短編小説、「あることの終わり」の冒頭の描写とそれ以降の間の齟齬は、今日まで研究者たちの議論の的となってきた。これはへミングウェイの技量の問題というよりも、おそらくはかれが1920年代という、さまざまな価値観が挑戦を受けた時代に作家として活躍を始めたことが原因である。本稿では、ジェンダー意識と時間観の二つに着目し、それらがヘミングウェイの時代にどのような変容をこうむっていったか、そしてそれがかれの作品にどのような影響を与えていったかを、当時の時代背景に目を向けつつ、主に「あることの終わり」と「三日吹く風」という二つの短編を分析しながら考えていく。","subitem_description_type":"Abstract"}]},"item_3_description_40":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"Article","subitem_description_type":"Other"}]},"item_3_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"Articles","subitem_description_type":"Other"}]},"item_3_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"神奈川大学経営学部"}]},"item_3_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN10153220","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0915-7611","subitem_source_identifier_type":"ISSN"}]},"item_3_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Seki, Masahiko"}],"nameIdentifiers":[{"nameIdentifier":"3928","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"関, 真彦"}],"nameIdentifiers":[{"nameIdentifier":"3929","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-11-16"}],"displaytype":"detail","filename":"47-11.pdf","filesize":[{"value":"8.4 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"47-11.pdf","url":"https://kanagawa-u.repo.nii.ac.jp/record/2064/files/47-11.pdf"},"version_id":"49039803-f8cc-4816-bc5c-1395412b50c6"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"アメリカ文学","subitem_subject_scheme":"Other"},{"subitem_subject":"モダニズム","subitem_subject_scheme":"Other"},{"subitem_subject":"ヘミングウェイ","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"eng"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"What has ended? ： Masculinity and time in \"The End of Something\" and \"The Three-Day Blow\"","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"What has ended? ： Masculinity and time in \"The End of Something\" and \"The Three-Day Blow\""}]},"item_type_id":"3","owner":"1","path":["154"],"pubdate":{"attribute_name":"公開日","attribute_value":"2014-10-10"},"publish_date":"2014-10-10","publish_status":"0","recid":"2064","relation_version_is_last":true,"title":["What has ended? ： Masculinity and time in \"The End of Something\" and \"The Three-Day Blow\""],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2023-05-15T16:50:12.481950+00:00"}