{"created":"2025-07-04T02:47:17.799258+00:00","id":2001668,"links":{},"metadata":{"_buckets":{"deposit":"20cccadb-33a8-48c9-90eb-c498095e7150"},"_deposit":{"created_by":10,"id":"2001668","owners":[10],"pid":{"revision_id":0,"type":"depid","value":"2001668"},"status":"published"},"_oai":{"id":"oai:kanagawa-u.repo.nii.ac.jp:02001668","sets":["660:661:676:835"]},"author_link":[],"control_number":"2001668","item_3_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2025-03-20","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"164","bibliographicPageStart":"143","bibliographicVolumeNumber":"30","bibliographic_titles":[{"bibliographic_title":"非文字資料研究 = The study of nonwritten cultural materials","bibliographic_titleLang":"ja"},{"bibliographic_title":"The study of nonwritten cultural materials","bibliographic_titleLang":"en"}]}]},"item_3_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"中国近代の著名な文学者である魯迅は、中国新興木版画運動の唱道者としても知られる。\n「中国に新興美術が出現することを切に願う」 魯迅は、1927 年に上海へ移り住むと、中国に新しい藝術の種を蒔くための第一歩として、外国の優れた版画作品の原画や画集、美術書を大量に購入し、出版や展覧会などの紹介活動を展開した。\n　本稿では魯迅による外国版画作品の本格的な紹介の嚆矢として知られる『藝苑朝華』叢書と、そのモデルとなった可能性の高い日本のプレート図集叢書『意匠美術写真類聚』に焦点をあてる。『意匠美術写真類聚』が『藝苑朝華』の参考モデルであることを実証的に論じた上で、両書の多角的な比較を通して、『藝苑朝華』の特徴及び刊行計画当初における魯迅の美術普及観を明らかにすることが本稿の目的である。\n　『藝苑朝華』は当初12 集の刊行が計画された。実際に出版されたのは5 集であるが、予定されていた全目録のうち、『意匠美術写真類聚』の目録と同じものが2 集存在する。また、両書の表紙デザインや製本方法にも類似性が確認できる。\n　『意匠美術写真類聚』と『藝苑朝華』を比較してみると、共通点のみならず、相違点も見いだすことができる。魯迅は中国の読者の関心を意識し、当時上海で流行していた蕗谷虹児の画集を採り入れ、『意匠美術写真類聚』には含まれていないイギリス・フランス・ロシアの創作木版画と挿画を重視していた。一方、『藝苑朝華』を企画した時点において、魯迅はドイツ藝術や表現主義を取り上げていない。また『藝苑朝華』の対象読者として、魯迅はすでに篆刻の技術を持つ美術家や美術愛好家を想定していたものの、青年美術家や美大生が想定内にいたことは確認できない。魯迅がドイツ表現主義美術について理解を深め、若い青年美術家を想定した『セメントの図』の出版へとつながるのは、『藝苑朝華』刊行計画の後から始まると考えられる。","subitem_description_language":"ja","subitem_description_type":"Abstract"},{"subitem_description":"Lu Xun, a famous writer in modern China, is also known as a pioneer of the New Woodcut Movement. Wishing for the emergence of new art in China, Lu Xun started to purchase a large number of foreign prints and art books, and actively introduced them to domestic audience through publications and exhibitions since he moved to Shanghai in 1927.\n　This paper focuses on the series Morning Flowers in the Garden of Art（藝苑朝華）, known as the first series of foreign print works published by Lu Xun, and its likely model, the Japanese plate picture collection series Ishou Bijutsu Shashin Ruiju（意匠美術写真類聚）. The paper demonstrates that Ishou Bijutsu Shashin Ruiju served as a reference model for the Morning Flower series and through a comparative analysis of both series, it investigates some characteristics of the Morning Flower series as well as Lu Xunʼs perspective on art promotion at the initial stage of publishing it.\n　The Morning Flower series was originally planned to contain twelve volumes. Although only five volumes were actually published, two of the planned volumes shared the same titles as those of Ishou Bijutsu Shashin Ruiju. Additionally, similarities in cover design and binding methods can be observed between the two series.\n　Comparing Ishou Bijutsu Shashin Ruiju and Morning Flowers in the Garden of Art one can find not only similarities but also differences. Lu Xun, paying attention to the interests of Chinese readers, incorporated a collection of works by a Japanese illustrator Fukiya Koji, who was quite popular in Shanghai at the time. Besides, Lu Xun placed emphasis on British, French, and Russian creative woodcuts and illustrations, which were not on the list of Ishou Bijutsu Shashin Ruiju collections. On the other hand, when planning the Morning Flower series Lu Xun did not select works of German art or Expressionism. Furthermore, he envisioned the target readers of the Morning Flower series to be art lovers and artists who were already skilled in seal carving, but it was unlikely that he considered young artists and art students to be his target readers. It would be reasonable to say that Lu Xunʼs deeper understanding of German Expressionist art and the communication with young Chinese artists, which led to the publication of Cement, a series of German Expressionist works by Carl Meffert, began after the publication of the Morning Flower series.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_3_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.24792/0002001668","subitem_identifier_reg_type":"JaLC"}]},"item_3_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"神奈川大学日本常民文化研究所　非文字資料研究センター","subitem_publisher_language":"ja"},{"subitem_publisher":"Research Center for Nonwritten Cultural Materials, Institute for the Study of Japanese Folk Culture, Kanagawa University","subitem_publisher_language":"en"}]},"item_3_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12776889","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"2432-5481","subitem_source_identifier_type":"PISSN"}]},"item_3_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"東家, 友子","creatorNameLang":"ja"},{"creatorName":"トウヤ, トモコ","creatorNameLang":"ja-Kana"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available","dateValue":"2025-07-04"}],"filename":"08 魯迅の『藝苑朝華』の刊行計画 －日本の『意匠美術写真類聚』とのかかわりを中心に－.pdf","filesize":[{"value":"4 MB"}],"format":"application/pdf","mimetype":"application/pdf","url":{"url":"https://kanagawa-u.repo.nii.ac.jp/record/2001668/files/08 魯迅の『藝苑朝華』の刊行計画 －日本の『意匠美術写真類聚』とのかかわりを中心に－.pdf"},"version_id":"952a91cf-cf20-48ec-be8d-464d3817190c"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"魯迅の『藝苑朝華』の刊行計画 －日本の『意匠美術写真類聚』とのかかわりを中心に－","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"魯迅の『藝苑朝華』の刊行計画 －日本の『意匠美術写真類聚』とのかかわりを中心に－","subitem_title_language":"ja"},{"subitem_title":"Lu Xunʼs Introduction to Foreign Prints ： Morning Flowers in the Garden of Art and its Japanese Model","subitem_title_language":"en"}]},"item_type_id":"3","owner":"10","path":["835"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2025-07-04"},"publish_date":"2025-07-04","publish_status":"0","recid":"2001668","relation_version_is_last":true,"title":["魯迅の『藝苑朝華』の刊行計画 －日本の『意匠美術写真類聚』とのかかわりを中心に－"],"weko_creator_id":"10","weko_shared_id":-1},"updated":"2025-07-14T02:26:59.174203+00:00"}