{"created":"2024-03-12T06:35:34.684578+00:00","id":2000349,"links":{},"metadata":{"_buckets":{"deposit":"93b01a71-7cb3-47c2-b487-bdcfa0cd43c0"},"_deposit":{"created_by":10,"id":"2000349","owners":[10],"pid":{"revision_id":0,"type":"depid","value":"2000349"},"status":"published"},"_oai":{"id":"oai:kanagawa-u.repo.nii.ac.jp:02000349","sets":["600:601:1693445258147:1710207866726"]},"author_link":[],"control_number":"2000349","item_3_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2024-02-09","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"63,ii","bibliographicPageStart":"35","bibliographicVolumeNumber":"2 (2023)","bibliographic_titles":[{"bibliographic_title":"常民文化研究","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of Institute for the Study of Japanese Folk Culture","bibliographic_titleLang":"en"}]}]},"item_3_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"ベトナム・フエ地域の竈神の祭壇で祀られる小型の土製の神像は、陰暦一二月二三日に家で竈神の儀礼をしたあと木の根本などに置かれ、再度見送り儀礼が行われる。この竈神の神像はフエ地域で創造されたものである。\n　本稿では、現在ディアリン村で神像の手工業生産を続ける六家族と伝統的窯業の村フォックティック村での二〇一二年から二〇二一年までの聞き取りを中心に「モノ」の視点から神像の生産の実態とその変遷を明らかにする。そして、小型の神像を祀ることについてフエ地域の人びとのくらしや歴史的背景から考察する。\n　現在、ディアリン村で生産されている神像は三種類：実際に調理に使用することもできる土製支脚オンタオ・ロン、その土製支脚をかたどった小型の神像オンタオ・クアン、竈神三柱をかたどった小型の神像はオンタオ・グオイである。土製支脚をかたどったオンタオ・クアンは、もともとフォックティック村で作られていたことが明らかになった。ディアリン村では六〇年ほど前に生産が始まり、そのなかでいくつかの改良がされ、また新たな神像オンタオ・グオイが作られた。フエ地域で広く小型の神像を祀るようになるのは比較的新しく一九八〇年代後半からであり、そこには台所の形態の変化が関わっている。\n　そして、小型の神像は祭壇で祀るだけではない重要な役割がある。かつて北部地域でも行われていた竈神の見送り儀礼は、実用品であった土製支脚から小型の神像に変えて続けられている。そこにはフエ地域の歴史的背景とそこにくらす人びとの竈神への願いが込められている。神体として祀られる神像を「モノ」の視点からみれば、土製支脚から小型の神像は、物理的な機能を伴うものから象徴的な機能への移行とみることができる。\n　生産者への聞き取りから神像の生産の厳しい現状や神像に対する思いなどについても述べていく。","subitem_description_language":"ja","subitem_description_type":"Abstract"},{"subitem_description":"The small earthen statue of the god enshrined at the altar of the kamado (kitchen furnace) god in the Hue region of Vietnam is placed at the base of a tree or other place after the ceremony of the kamado god is performed at home on December 23 by the lunar calendar, and the send-off ceremony is held again. This statue of the kamado god was created in the Hue region.\nThis paper clarifies the actual situation and recent transition of statue production, from the point of view of “things” by focusing on interviews from 2012 to 2021 held with 6 families who continue to produce statues by hand in the village of Địa Linh and also held in the traditional ceramic-producing village of Phước Tích. She then uses the lifestyle and historical background of the people of the Hue region to consider the worship of small statues of deities.\nCurrently, there are three types of deity statues produced in the village of Địa Linh: Ông Táo Lớn, an earthen prop that can actually be used for cooking, Ông Táo Quân, a small deity statue representing that earthen prop, and Ông Táo Người, a small deity statue representing the Three Kamado gods. It has become evident that the Ông Táo Quân, shaped as an earthen prop, was originally made in the village of Phước Tích. Production began in the village of Địa Linh about 60 years ago, during which several improvements were made and a new type of deity statue, Ông Táo Người, was made. It was relatively new in the Hue area to worship small deity statues, the practice dating from the late 1980s, and this is related to changes in the form of kitchens.\nAnd small deity statues have an important role beyond just being placedon an altar. The send-off ceremony for the kamado god, which was once held in the northern region, has been continued by replacing the earthen prop, which was a practical item, with a small statue of the god. Both the historical background of the Hue region, and the wishes of the people living there towards the kamado god are included in this. Looking at the statues worshipped as the embodiment of the deity from the point of view of ‘things,’ the shift from an earthen prop to a small statue can be seen as a shift from using an item with a physical function to one with a symbolic one.\nFrom the interviews with the makers of statues, the harsh current situation of the making of the deity statues and their thoughts on the deity statues are also described.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_3_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.24792/0002000349","subitem_identifier_reg_type":"JaLC"}]},"item_3_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"神奈川大学日本常民文化研究所","subitem_publisher_language":"ja"},{"subitem_publisher":"Institute for the Study of Japanese Folk Culture Kanagawa University","subitem_publisher_language":"en"}]},"item_3_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AB00007691","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"2758-5026","subitem_source_identifier_type":"PISSN"}]},"item_3_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"鍋田, 尚子","creatorNameLang":"ja"},{"creatorName":"ナベタ, ナオコ","creatorNameLang":"ja-Kana"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available","dateValue":"2024-03-13"}],"filename":"02 竈神の神像からみるベトナム・フエ地域の特徴 －神像生産者への聞き取りを中心に－.pdf","filesize":[{"value":"3.1 MB"}],"format":"application/pdf","mimetype":"application/pdf","url":{"url":"https://kanagawa-u.repo.nii.ac.jp/record/2000349/files/02 竈神の神像からみるベトナム・フエ地域の特徴 －神像生産者への聞き取りを中心に－.pdf"},"version_id":"4f94e3d1-333f-4d03-a0af-da2791f9b7b7"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ベトナム","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"フエ地域","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"竈神","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"神像","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"「モノ」の視点","subitem_subject_language":"ja","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"竈神の神像からみるベトナム・フエ地域の特徴 －神像生産者への聞き取りを中心に－","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"竈神の神像からみるベトナム・フエ地域の特徴 －神像生産者への聞き取りを中心に－","subitem_title_language":"ja"},{"subitem_title":"Characteristics of Hue in Vietnam from the Perspective of the Statue of the Deity of the Kitchen Furnace ： Focusing on interviews with the makers of statues","subitem_title_language":"en"}]},"item_type_id":"3","owner":"10","path":["1710207866726"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2024-03-12"},"publish_date":"2024-03-12","publish_status":"0","recid":"2000349","relation_version_is_last":true,"title":["竈神の神像からみるベトナム・フエ地域の特徴 －神像生産者への聞き取りを中心に－"],"weko_creator_id":"10","weko_shared_id":-1},"updated":"2024-03-19T01:49:27.735830+00:00"}