{"created":"2023-05-15T11:52:49.384019+00:00","id":15240,"links":{},"metadata":{"_buckets":{"deposit":"e9f0b806-9dc3-4775-92ca-d3b0ff5f36e4"},"_deposit":{"created_by":10,"id":"15240","owners":[10],"pid":{"revision_id":0,"type":"depid","value":"15240"},"status":"published"},"_oai":{"id":"oai:kanagawa-u.repo.nii.ac.jp:00015240","sets":["431:432:433:1439"]},"author_link":["33555"],"item_3_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2022-09-27","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"68","bibliographicPageEnd":"20","bibliographicPageStart":"1","bibliographic_titles":[{"bibliographic_title":"人文学研究所報","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the Institute for Humanities Resarch","bibliographic_titleLang":"en"}]}]},"item_3_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿では，明治末年における劇壇の新機運について再検討する。明治時代の演劇史についての先行研究は多々あるが，そのほとんどは，個別の演劇人，作品，興業などについてのものであった。それに対して，本稿では，演劇の近代化―西洋化がしきりに議論されていた，明治末年の劇壇を対象とした言説を検討対象とする。第1章では，明治時代の演劇史と自由劇場に関する先行研究をレビューすることで，本論のねらいを明らかにした。第2章～第4章では，時期を区切りながら明治末年における劇壇の言説を調査―分析した。この時期の言説上では，第一に西洋劇の上演組織，第二に雑誌の創刊，第三に新しい脚本，第四として帝国劇場の開場，そして最後に象徴劇（気分劇―情調劇）の隆盛を軸に，劇壇の新機運が語られていたことを確認した。第5章では，大正時代から振り返って，明治時代の演劇がどのように語られていたかを分析―考察して，結論にかえた。","subitem_description_language":"ja","subitem_description_type":"Abstract"},{"subitem_description":"　In this paper, I revisit the new momentum of the theatrical world in the last years of the Meiji era. Although there have been many previous studies on the history of theater in the Meiji era, most of them focused on individual theater artists, works, and performance tours. In contrast, this paper will focus on the discourse over the modernization or westernization of the theater. In Chapter 1, the aims of this paper are clarified through the review of previous studies on theater history and free theater in the Meiji era. In Chapters 2-4, the discourse of the theatrical world in the late Meiji era is surveyed and analysed by each divided period. In general, the new momentum of the theatrical world was discussed based on the organization to support Western plays as the first, the first publication of a theatrical magazine as the second, the new scripts as the third, the opening of the Imperial Theater as the fourth, and finally the rise of symbolic drama. Chapter 5 shows the conclusion by analyzing how theater was discussed in the Meiji period, looking from the Taisho period.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_3_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"神奈川大学人文学研究所","subitem_publisher_language":"ja"},{"subitem_publisher":"The Institute for Humanities Research. Kanagawa University","subitem_publisher_language":"en"}]},"item_3_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00122854","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0287-7082","subitem_source_identifier_type":"PISSN"}]},"item_3_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"松本, 和也","creatorNameLang":"ja"},{"creatorName":"マツモト, カツヤ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"33555","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"33555","nameIdentifierScheme":"ローカル著者ID"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2022-12-02"}],"displaytype":"detail","filename":"01 明治末年における劇壇の新機運 －自由劇場を中心とした言説史.pdf","filesize":[{"value":"1.5 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"01 明治末年における劇壇の新機運 －自由劇場を中心とした言説史","url":"https://kanagawa-u.repo.nii.ac.jp/record/15240/files/01 明治末年における劇壇の新機運 －自由劇場を中心とした言説史.pdf"},"version_id":"ba463192-cb06-415b-9c1b-56c09f0c9181"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"小山内薫","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"明治演劇史","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"新劇","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"気分劇","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"情緒劇","subitem_subject_language":"ja","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"明治末年における劇壇の新機運 －自由劇場を中心とした言説史","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"明治末年における劇壇の新機運 －自由劇場を中心とした言説史","subitem_title_language":"ja"},{"subitem_title":"New momentum in the theatrical world in the last years of the Meiji era : A History of Discourse with a Focus on the Liberty Theater","subitem_title_language":"en"}]},"item_type_id":"3","owner":"10","path":["1439"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2022-12-02"},"publish_date":"2022-12-02","publish_status":"0","recid":"15240","relation_version_is_last":true,"title":["明治末年における劇壇の新機運 －自由劇場を中心とした言説史"],"weko_creator_id":"10","weko_shared_id":-1},"updated":"2024-12-27T04:59:24.608524+00:00"}