{"created":"2023-05-15T11:50:52.626946+00:00","id":12660,"links":{},"metadata":{"_buckets":{"deposit":"f6f426db-8b2c-46cf-8332-d32b86243585"},"_deposit":{"created_by":10,"id":"12660","owners":[10],"pid":{"revision_id":0,"type":"depid","value":"12660"},"status":"published"},"_oai":{"id":"oai:kanagawa-u.repo.nii.ac.jp:00012660","sets":["660:661:676:1239"]},"author_link":["33870"],"item_3_alternative_title_20":{"attribute_name":"その他の言語のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"The Formation of the Paintings of Manʼs Ideal Life, Pyongsaeing-do,and the Culture of Middle Class"}]},"item_3_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2018-09-30","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"16","bibliographicPageEnd":"95","bibliographicPageStart":"69","bibliographic_titles":[{"bibliographic_title":"非文字資料研究 = The study of nonwritten cultural materials"}]}]},"item_3_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　本稿は、朝鮮時代の17世紀後半から本格的に制作される風俗画の中で、士大夫の一生の出来事を描いたとされる「平生図」を取り上げ、その成立と享受における再解釈を試みるものである。従来の先行研究では、「平生図」は両班官僚の一生を絵画化した「士人風俗画」として扱われ、豪華な通過儀礼の描写と両班官僚の段階的出世の表現から、朝鮮後期の京華士族が享受する世界を表現した風俗画として評価された。\n　しかし、本稿は、朝鮮時代後期の19世紀の制作とされる「平生図」の成立には、「郭汾陽行楽図」のような吉祥図の影響や19世紀に流行したハングルの長編歌辞作品、特に「男子歌」や「男児歌」、『漢陽歌』などとの関連がきわめて重要であることを指摘した。即ち、「平生図」を構成するイメージは「男子歌」や「男児歌」の文脈から導き出され、最も理想的な立身出世を成し遂げた男子の一生として表現される。なかでも「男子歌」や「男児歌」は、『漢陽歌』と共に19世紀以降の漢陽の中人階層の生き方や現実認識、そして遊興の文化を表すものとして注目されるが、「平生図」はこれらの中人文化を基盤にして生成された絵画であったことがうかがえる。\n　そして、「平生図」にみる官職への願望は、巨大な富を築き、新たな経済的な権力集団として台頭し、物質的な豊饒を謳歌していた閭巷人、即ち中人階層が描いていたものと想定できる。「平生図」を享受していた階層は、都の漢城を背景としながら、物質的消費の上に奢侈で洗練された教養も持ち合わせていた閭巷人（中人）であり、彼らの求める理想的な一生を視覚化し、享受したのが「平生図」であったと考えられるのである。そのイメージは彼らが理想とする五福を備えた人生として最高の官職に上り詰めた姿であり、そこに感情移入し、理想と欲望が叶えられることを祈願する祈福のモチーフとして鑑賞する絵画であったといえよう。","subitem_description_type":"Abstract"},{"subitem_description":"This paper focuses on reinterpretation regarding the formation of the Paintings of Manʼs Ideal Life, Pyongsaeing-do（平生図）, and the stratum of the painting beneficiaries, which has been regarded as the genre paintings of aristocratic class, yangban, depicting the images of glorious rite of passage and the successful life of bureaucrat.　This paper, however, points out that as to the formation of the Paintings of Manʼs Ideal Life which was mainly produced in the 19th century of the late Joseon Period, was influenced by auspicious paintings such as the paintings of Guo Fenyangʼs Enjoyments of Life（「郭汾陽行楽図」）, also the Korean written full-length verses such as a couple of versions of the Verse of Manʼs Life（『男子歌』、『男児歌』）and the Song of Capital（『漢陽歌』）. Most of images consist of the Paintings of Manʼs Ideal Life are mainly based on the context of a couple of versions of the Verse of Manʼs Life and those images are described as the most successful man in the society of the period. Those Korean written full-length verses shows the life of middle class, the recognition of the reality and the culture of pleasure life of the middle class, thus the Paintings of Manʼs Ideal Life, Pyongsaeing-do, is also possibly connected to the culture of the middle class.　 The aspiration toward the high official posts of bureaucracy which is the main theme of the Paintings of Manʼs Ideal Life can interpreted as the desire of the middle classʼ who was successful in accumulating a great wealth and appeared as the new economic power, also enjoyed the material fertility and had around sophisticated culture living in the capital but was under discrimination in promoting to the high official posts of bureaucracy in the late Joseon Period. The Paintings of Manʼs Ideal Life visualized the ideal life that the middle class was longing and was patronized by the wealthy middle class. It must be certain that the Paintings of Manʼs Ideal Life was appreciated as the symbol of fortune and happiness by the wealthy middle class rather depicting the real life of aristocratic class, yangban.","subitem_description_type":"Abstract"}]},"item_3_description_40":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"Departmental Bulletin Paper","subitem_description_type":"Other"}]},"item_3_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_type":"Other"}]},"item_3_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"神奈川大学日本常民文化研究所非文字資料研究センター"}]},"item_3_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12776889","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"2432-5481","subitem_source_identifier_type":"ISSN"}]},"item_3_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"金, 貞我"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-10-08"}],"displaytype":"detail","filename":"04 朝鮮時代「平生図」の成立と中人文化 －「男子歌」・「남　가」（「男子歌」）・「男児歌」との相関関係を中心に－.pdf","filesize":[{"value":"36.5 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"04 朝鮮時代「平生図」の成立と中人文化 －「男子歌」・「남　가」（「男子歌」）・「男児歌」との相関関係を中心に－","url":"https://kanagawa-u.repo.nii.ac.jp/record/12660/files/04 朝鮮時代「平生図」の成立と中人文化 －「男子歌」・「남　가」（「男子歌」）・「男児歌」との相関関係を中心に－.pdf"},"version_id":"34079943-66b0-4f3a-b008-007ea9be2b0c"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"朝鮮時代「平生図」の成立と中人文化 －「男子歌」・「남　가」（「男子歌」）・「男児歌」との相関関係を中心に－","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"朝鮮時代「平生図」の成立と中人文化 －「男子歌」・「남　가」（「男子歌」）・「男児歌」との相関関係を中心に－","subitem_title_language":"ja"},{"subitem_title":"The Formation of the Paintings of Manʼs Ideal Life, Pyongsaeing-do,and the Culture of Middle Class","subitem_title_language":"en"}]},"item_type_id":"3","owner":"10","path":["1239"],"pubdate":{"attribute_name":"公開日","attribute_value":"2019-09-18"},"publish_date":"2019-09-18","publish_status":"0","recid":"12660","relation_version_is_last":true,"title":["朝鮮時代「平生図」の成立と中人文化 －「男子歌」・「남　가」（「男子歌」）・「男児歌」との相関関係を中心に－"],"weko_creator_id":"10","weko_shared_id":-1},"updated":"2023-06-16T02:58:14.716885+00:00"}