2026-03-09T08:56:59Z https://kanagawa-u.repo.nii.ac.jp/oai

oai:kanagawa-u.repo.nii.ac.jp:02000066 2024-11-28T04:42:43Z 1176:1177:1178:1694067939285

神経文学論（1） －ジャン・ロラン『フォカス氏』分析 On Neurosis Literature（1）－An analysis of Jean Lorrainʼs Monsieur de Phocas 熊谷, 謙介 クマガイ, ケンスケ Neurology Gender Fin de siècle Decadence This paper focuses on the question of neurosis through the analysis of Jean Lorrainʼs Monsieur de Phocas（1901）, which was considered an exemplified “decadent novel of fin de siècle” for a long time. We first examined what is meant by “decadence,” an historical concept recently discussed and brushed up with reference to many domains, and formed a hypothesis that Monsieur de Phocas was a post-decadent novel, in the sense that the hero Phocas/Fréneuse tried to escape the closed world marked by vicious values proposed by Ethel.　We discussed the question of Phocas/Fréneuseʼs identity from a point of view of name/pseudonym, masculinity/femineity, and the double （as in Dr. Jekyll and Mr. Hyde）（chapter 1: Confessions of a Mask）, the effect of “drogue” and “mask” in Fréneuseʼs neurotic spirit （chapter 2 : Aesthetic of Neurosis）. We passed to the question of the representation of what we call “deviant” and “perverse” sexualities in relation with the dichotomies of homosexuality/heterosexuality, sado-masochism, and activity/passivity（chapter 3: Deviant Sexualities?）, and the question of the form of neurotic perception of physical world, especially with strong sensations of artistic image as Ensor, Goya, and Gustave Moreau（chapter 4 : Nerve and Image）. departmental bulletin paper 神奈川大学人文学会 The Society of Humanities at Kanagawa University 2023-03-30 VoR application/pdf 人文研究 208 1 42 Studies in humanities AN00123041 0287-7074 https://kanagawa-u.repo.nii.ac.jp/record/2000066/files/01 神経文学論（1） －ジャン・ロラン『フォカス氏』分析.pdf https://doi.org/10.24792/0002000066 http://hdl.handle.net/10487/0002000066 https://kanagawa-u.repo.nii.ac.jp/records/2000066 jpn