2026-03-10T09:41:27Z https://kanagawa-u.repo.nii.ac.jp/oai

oai:kanagawa-u.repo.nii.ac.jp:02000547 2025-01-10T06:37:19Z 1176:1177:1178:1712726607858

山脇信徳「断片」の歴史的意義 －野獣主義／ 表現主義へ Historical significance of Shintoku Yamawakiʼs painting theory Danpen（ fragments） to Fauvism/Expressionism 松本, 和也 マツモト, カツヤ In this paper, I focus on Shintoku Yamawakiʼs painting theory Danpen（fragments）. 　To understand the painter Shintoku Yamawaki and his painting theory Danpen（fragments）, it is necessary to take into account the state of the art scene at the end of the Meiji period. 　Shintoku Yamawaki won a prize at the third exhibition of the Ministry of Education for his work Railway Station in the Morning. Since then, Shintoku Yamawaki had come to be known as a Japanese Impressionist. Moreover, in 1911, Shintoku Yamawaki fought with Mokutaro Kinoshita in The Dispute over Pictorical Conventions. Shintoku Yamawaki wrote painting theory Danpen （fragments） as a rebuttal in The Dispute over Pictorical Conventions. 　In this paper, I examine the process by which Shintoku Yamawaki, who was regarded as a Japanese Impressionist, moved towards Fauvism and Expressionism through his painting theory Danpen（fragments）. 神奈川大学人文学会 The Society of Humanities at Kanagawa University 2024-03-26 jpn departmental bulletin paper VoR https://doi.org/10.24792/0002000547 http://hdl.handle.net/10487/0002000547 https://kanagawa-u.repo.nii.ac.jp/records/2000547 10.24792/0002000547 AN00123041 0287-7074 人文研究 Studies in humanities 211 1 32 https://kanagawa-u.repo.nii.ac.jp/record/2000547/files/04 山脇信徳「断片」の歴史的意義 －野獣主義／ 表現主義へ.pdf application/pdf 1.7 MB 2024-04-12