WEKO3
アイテム
アントニオーニの映画のなかのキリスト教関連物
http://hdl.handle.net/10487/00017466
http://hdl.handle.net/10487/00017466d432b6f5-2293-4fc6-9052-938d1ee14816
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
31 アントニオーニの映画のなかのキリスト教関連物 (2.6 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2021-12-08 | |||||
| タイトル | ||||||
| タイトル | アントニオーニの映画のなかのキリスト教関連物 | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | Christian Objects in Antonioni’s Films | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
鳥越, 輝昭
× 鳥越, 輝昭 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 36534 | |||||
| 姓名 | Torigoe, Teruaki J. I. | |||||
| 言語 | en | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | I draw attention to the thus far ignored fact that Michelangelo Antonioni’s films deliberately show an unexpectedly large number of Christian objects, such as churches, crosses, and sacred paintings as well as priests, monks, and nuns. The functions I surmise of these objects are as follows: In The Passenger（1974）, which begins with the death of the protagonist’s acquaintance with whom he changes identities and ends with the death of the protagonist himself, Christian objects are shown as symbols of death at each important stage of this process. In other works of this renowned film director, Christian objects generally express tension within the changing contemporary society, and this tension is particularly notable in two ways. In some films like L’avventura （1960）, Christian objects are presented in such a way as to indicate the weakening of the traditional hold of Christianity on society. In other films, such as L’eclisse（1962） and Identificazione di una donna （1982）, Christian objects are presented along with the progress of relationships, although ephemeral, between man and woman. This is a vestige of the traditional Christian blessing of marriage. Such ways of presenting Christian objects are obviously deep-rooted in Christian culture ; their presence is probably too obvious for Western critics and scholars to pay attention to it. | |||||
| 言語 | en | |||||
| 書誌情報 |
ja : 人文研究 en : Studies in humanities 号 203, p. 37-66, 発行日 2021-09-30 |
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| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 0287-7074 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN00123041 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 神奈川大学人文学会 | |||||
| 言語 | ja | |||||
| 出版者 | ||||||
| 出版者 | The Society of Humanities at Kanagawa University | |||||
| 言語 | en | |||||
